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New for 2013 … This year, in the centenary of the crossword, I’m running Masterclasses for aspiring setters.

Compiling puzzles is not the black art that it seems to be. You need to know some basic techniques, and you need some structure to the way you work. Those things can be learned, as long as you enjoy word games and have the type of mind that reads “Car Park” but pictures fish sailing a boat, a carp-ark.

These classes aim to provide a route into the arcane world of professional setting, combining essential information about compiling techniques, requirements for publication and the use of software with discussion of issues such as quality and fairness, developing a style and managing the creative process.

You can look forward to a stimulating day with a group of people representing a range of experience from relative newcomers to those who are nearly ready to have their work published. Each class will include individual and group exercises and conclude with an opportunity for you to present your own work in progress for constructive criticism and individual advice.

Whether you are just starting out as a compiler, trying to get your work published or simply wishing to develop a talent for your own satisfaction, this could be for you.

The cost for the whole day is £150 (in London it’s £160, to cover higher venue costs), including lunch, drinks and snacks.

Please follow the e-mail link at the top of the page to book your place and for details of how to pay, or to let me know if you’d be interested in future classes.
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Confirmed Dates

 

Brighton

Friends’ Meeting House

Saturday 8 June 2013

09:30 to 16:00

 

We’ll have the use of a quiet, airy room in the charming Friends’ Meeting House in the historic centre of Brighton, where lunch will be provided by one of our characterful local cafes and there’ll be exquisite coffee, fruit and other goodies available all day.

 

Click here for directions

 

London

University College

South Wing

Saturday 13 July 2013

09:30 to 16:00

 

The summer’s central London class takes place in an easily accessible room on UCL’s leafy main quadrangle off Gower Street. Lunch will be brought to us, and there’ll be the same exquisite coffee, fruit and other goodies all day.

 

Click here for directions

 

Burnley in the Autumn?

 

I'm looking at the possibility of running a Masterclass in Burnley in September or October. If you think you might be interested, I’d very much like to hear from you.

 

Further Afield

 

I’ll set up more classes wherever there are aspiring setters who’d like to come to them. If that describes you, please drop me a line, then let your friends know and put them in touch with me too, so that I know where to look.

 

 

Be My Agent

 

If you believe that your part of the country is crying out for a Masterclass, or if you’re involved in organising a series of events such as a festival that could include a Masterclass as part of its programme, why not be my agent? There’s very little work involved, so do get in touch and we can talk about the details.

Course Synopsis

 

Introduction

Names and aims

Use of software

Why do people do crosswords?

 

A brief history of wordplay

Crossword prehistory

The first crosswords

The British conversion

Musical interlude

Why Britain and not the US?

Present and future

 

Clueing

Quality, fairness and difficulty

Ximenean “rules” and Libertarians

Annotation [1] clue-oriented

Wordplay types: characteristics,

   usefulness, indicators and

   pitfalls

Abbreviations

Annotation [2] solution-oriented

Definitions

One-part exceptions

&Lits and Semi&Lits

Misdirection

Surface readings

Exercises and clueing surgery

 

Grids

American, British and other types

Symmetry and fairness

Creating a grid from scratch:

   patterns, blocks and traditional

   filling strategy

Choosing and filling a library grid Maximising theme usage

 

Themes

Why set crosswords with themes?

Critical and incidental themes

Types of theme

Difficulty and satisfaction

How Boatman themes work

Density and breadth of theme

Specialist knowledge

Team exercise

 

The creative process

Research

Ten steps: start to publication

The making of a Boatman puzzle

What kind of person makes a

   setter?

Developing a style

Working patterns

Is compiling an art or a craft?

What is creativity?

What does inspiration feel like?

 

Setting as a profession

How to choose a pseudonym

The mechanics of submitting

House style

The role of the editor

A long-term plan

Learning to evaluate your work

The relationship between setter

   and solver

Seeing a puzzle from the solver’s

   point of view

Taking comments

Self-criticism and persistence

Default principles

Will you be rich and famous?

 

Resources

Books, websites & blogs, Twitter

   names, 1 Across and games

 

Students’ work

Constructive criticism and

   individual advice

Share an example of a completed

   puzzle, a work in progress or

   an idea for a theme

Suggestions for follow-up

Guardian

interview

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masterclass blog

© Copyright Ashley Knowles 2011-2013 | all rights reserved  | colour design by Bernadina Lloyd www.bernadinalloyd.co.uk

Cryptics by

Boatman

What students said about the first Crossword Masterclass

 

Many thanks for a very enjoyable and inspiring day

Excellent day, loads of useful information

Great day ... such a complete course

Good to meet people who are trying to learn to play the same instrument and also get an insight into a maestro's approach

I'm really happy I signed up for this. I definitely feel motivated to keep going on my crossword setting quest

 

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Information

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Would recommend